She’s with the Band

Hooray Women’s Day! I was taken to a cardiac ICU once. Not for cardiac purposes; for drinking vodka. Upon the fresh ruins of the Soviet Union, a situation like that was not extraordinary. I was a nineteen-year-old female, and my then-boyfriend brought me along to a vodka gig in a hospital.
Boyfriend was in a short-lived attempt of a band. Their frontman worked nights in the ICU. The rest of the band came, and they drank, shouted, fought and sang, and their lead guitarist played acoustic in the little room off the beeping patients.
They sang some Beatles. I knew some Beatles.
The lead guitarist, who had not said a word to me all night, or at any band practice previous, never thereafter, not in the street, not in a tree, said to my boyfriend, past my face:
“She has a voice like The Mamas and the Papas.”
The frontman, who had not said a word to me all night, or at any band practice previous, never thereafter, not in the street, not in a tree, suddenly stood swaying, blocking my exit as everyone trickled out, and said to my face:
“Oh won’t you stay! Just a little bit longer! Oh please please please! I don’t know where you’re going to! Yo-mama-don’t-mind-wop-wop-doo-wop!”
Or something to that effect.
“Stay the night!” he said. “Why are you with him? Come on! He can go! Stay the night!”
And he shoved my boyfriend aside.
Well, I didn’t stay but that’s not the point.
The point here is the triangulation of conversation.
It’s not about objectification, oppression, aggression, macro, micro, nano; it is about who-said-what-to-whom-and-why-it-went-that-way-and-which-parts-I-care-about.
The triangulation of motivation.
And mostly – mine.
While a young woman, I was herded through situations. I was an infusorium. I was intelligent but dumb.
Now I am stupid and wise.
The progressive transparency laid over the “Mamas and Papas” part of the dialogue says: she is referred to in the third person because she is an object.
I object.
I now think that the guitarist did not speak to me directly in part so no one would think he’s flirting.
“She has a voice like The Mamas and the Papas”: observational.
“You have a voice like The Mamas and the Papas”: invitational.
(Just to be clear, I don’t. Mama Cass is divine and I am terrestrial.)
With occasional exceptions, relationships between girls and boys at that time in Russia were romantic or none.
That’s why the frontman spoke to me directly. He wanted to go from none to romantic.
And I said nothing then; an infusorium, I crawled around what other people did on my pseudopodia, a lot.
I mean, a lot more than I do now.
Now, it saves me that I really do not want to be an object. I mean, I do not need to be a subject and an object at the same time; I don’t want to be noticed and picked; I don’t need to be praised or found pretty, or special; I don’t need both agency AND acknowledgement, agency AND admiration.
I just like agency.
Agency is enough and plenty.
I can build everything else for myself out of agency alone, with the help of oh, maybe, the theory of mind.
As my subjecthood ripened, I realized: I don’t want to be With the Band.
I want to be In the Band.
In my late twenties I found I don’t like it that men, in Russia, will shake hands with each other but not with me, a woman.
And so I said: I want to shake hands, too.
And I reach out my hand and shake theirs.
No one has slapped me yet.
Once in my early twenties I came to a house-party of a Russian classmate, a very intelligent person who, for some young idiot reason, segregated the party like a public restroom: into Males (living room) and Females (kitchen.)
I surveyed the kitchen, greeted the females in a friendly manner, acknowledged that I did not really know any of them and their discussion at the moment was of no interest to me, got off the chair, went into Males, most of whom I knew well, sat down and joined the drinking and the conversation.
No one slapped me.
I sweep the micro-shit with a micro-broom into micro-trash.
If that cardiac ICU party happened today, I would not just sit there with an insipid smile. I would look in the eyes of the guitarist and say:
“You are an excellent guitarist but I question the validity of your claim re my voice according to the Fach.”
I would look in the eyes of the frontman and say:
“You are blind drunk right now. I love your singing because your voice box is attached to your feelings box; however, now is not the time for telling you this, as you are blind drunk. I will not be staying the night. Thank you for thinking about me that way! If I ever wanna stay the night, I’ll reach out.”
And I will reach out, too.
Happy Women’s Day!